There are two interpolation options, one for a more detailed rendering and a second smoother, lower artifact version. This processing is always applied by Iridient O-Transformer and cannot be disabled or undone.
This transforms the camera sensor's Bayer color filter information or associated pixel shift frames to produce a full color RGB image. The key RAW processing stages that can be applied by Iridient O-Transformer during conversion to DNG include: They have detailed information regarding the format on their website here: The DNG format was created and is publicly documented by Adobe. This program converts Olympus' proprietary ORF and ORI image data to the openly specified DNG image format. The only way to remove the watermark is to re. The demo is fully functional and is not time or usage limited, however all exported images will be permanently watermarked. Unregistered Iridient X-Transformer will run in demo mode. Type a custom snippet or try one of the examples. See how a modern neural network completes your text. Iridient Developer is widely regarded as one of the highest quality RAW processors available. The Iridient RAW processing routines have been in active development for over 14 years for use in Iridient Developer and have been optimized and refined over the years for the best possible image quality. Much of the core RAW processing, sharpening, noise reduction and lens corrections featured in this program are shared with Iridient Developer a more full-featured RAW processor that is available only for macOS. Iridient O-Transformer is a utility that can be used to convert Olympus ORF/ORI images to DNG format using Iridient Digital's high quality RAW processing algorithms. You can read more about what this product does below, but many Fujifilm photographer swear by Iridient Digital's processing algorithms. It would be interesting to see a test of this.It looks like Iridient Digital is expanding their transformer product to as many camera manufacturers as possible from their origin which is tightly tied to Fujifilm's X-Tran sensor. Since some Fuji lenses, typically wide-angle zooms, are probably also heavily corrected in-camera, my guess is that the problem is more prominent with those lenses than with a macro or a telephoto prime. The lens was perfectly sharp when there wasn't too much detail and with the newer cameras, there are no problems at all.
I saw it with the GH1/2/3 when using the Pana 7-14mm, a lens that is more or less a fisheye zoom corrected by in-camera software (uncorrected, that lens shows a distortion of 5.2% at 7mm), on foliage, where areas of the image could suddenly look "mushy".
Interestingly, early m4/3 cameras had a similar problem when lenses needing extensive in-camera distortion correction were used. There's simply not enough processing power available to render all the fine detail correctly. I believe it's a processing problem as much as it is a sensor problem. Colours are, and the total impression an image gives seen from a normal viewing distance. After so many years, you stillĬannot photograph trees! She must have a point.įuji digital small sensor cameras with "special" sensors have always had problems with repeated small detail, like in foliage and hair. Of course, as my wife says.Rayyan you are dumb. Not for me for tropical or dense forests, where one wants a clean image front, middle and back. Maybe I am paranoid about mushy and watery effects and worms over my images.but that is the way it is for me.Īs such, I am seriously recosidering my impulse decision to go for the Fuji xh-1. Although I have bought others and tried 1.įor everything else,the x-pro 2 is more than adequate for me. That might be due to my incompetence, incorrect usage of the camera/lens combos, or incorrect choice or usage of post post processing software.Īs far as sw goes, I am very very reluctant to learn new sw besides adobe or c1 Pro. The results I got in this scenario have not convinced me that the x-trans is a viable option for me for dense foliage. One of the reasons was to test it out on extensive and dense variable om the mountain top into the valley and then across another mountain. The last outing Was on Feb/2018 in the Philippines, in the highlands. I have now used the Fuji x-pro 2 extensively.